"The Conspiracy" 24" x 20" oil/paper/panel 2013
The Conspiracy” 20” x 24” oil/paper/panel 2012
Tom Rickman, finishes up screenplay for “The Seawolf,”
a loosely adapted Jack London story. Rickman wrote
“Coal Miners Daughter and everybodys’ All-American.
He says that “all movies start with a screenwriter sitting
alone in a room with a typewriter or computer.”/
Harrison Ellenshaw, a visual effects artist at Disney’s
Buena Vista Effects Lab, uses a razor blade to clean off a
glass mat he is painting for a Disney feature./
Director of Photography, Doug Milsome checks a light meter on the set of Body of Evidence, a movie starring Madonna as a gallery owner who uses her body as a weapon.
(All images shot on May 20, 1992)
Tom Rickman, finishes up screenplay for “The Seawolf,”
a loosely adapted Jack London story. Rickman wrote
“Coal Miners Daughter and everybodys’ All-American.
He says that “all movies start with a screenwriter sitting
alone in a room with a typewriter or computer.”/
Harrison Ellenshaw, a visual effects artist at Disney’s
Buena Vista Effects Lab, uses a razor blade to clean off a
glass mat he is painting for a Disney feature./
Director of Photography, Doug Milsome checks a light meter on the set of Body of Evidence, a movie starring Madonna as a gallery owner who uses her body as a weapon.
(All images shot on May 20, 1992)
